You can see that each glass piece has been peeled in a different order. The vinyl resist on the left shows the center as the negative image to the image shown on the right. All four in the set will have one element that is changed to give a subtle unique appearance to each coaster.
After the artwork has been
peeled for the first stage it goes to the sandblasting booth or
cabinet. The coasters are a good fit for doing them here to
keep the abrasive (aluminum oxide 220 grit) contained and
directly reusable.
The picture on the left
above shows me holding the glass, but in most instances I have it
against the back easel wall like the image on the right above. The
sand drops through a mesh underneath and is recycled through the
siphon feed blaster. The pressure is set higher for carving and
lower when I do more detailed shading effects or I need to go slower.
there are always adjustment variables to each project depending
on the details.
The next stage is back to
weeding or peeling the area that I want to sandblast. In this
instance it is a light shading to offset the deeper carving in
contrast, but still give the surrounding area a solid look by not
leaving it clear. The technique in shading is more like
airbrushing. You can control it to make faded effects or you
can make it a flat frosted area.
If it's new work, the glass
coaster will go to the photography stage. For this I have
photographed each individually and put them side by side. The
end results are what are now online for sale in my ImaginedGlass.
To shop my premade items please go to www.imaginedglass.com.
To visit other works and to "like" my page, you can
go to www.facebook.com/imaginedglass. Email me for custom glass: imaginedglass@hotmail.com. These links will open in a new window.
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